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The Profile 2.0 is a stretch ballet slipper conforming to the foot like a second skin and manufactured from a textile exclusively constructed for MDM: a high tensile anti-bacterial material.
Incorporating MDM’s re-engineered patented Dance Base Support, the Profile 2.0 offers optimal performance coupled with enhanced levels of comfort and support providing sensory feedback, controlled resistance and critical shock absorption.
The Profile 2.0 features a suede outsole, offering an improved connection between the foot and the floor, reducing the twisting feeling often felt in a stretch canvas shoe.
Supporting the foot and arch, it allows the intrinsic muscles to recover when at rest. What happens to many young dancers is the extra pressure causes them to claw their toes when in the flat or pointed positions. This may not be immediately evident in-store nor necessarily straight away in class, but over time and particularly as the shoe tightens, it does because their toes aren’t sitting comfortably flush against the floor. High caliber dancers swear by this slipper.The Dance Base Support protects and supports the wearer providing sensory feedback (proprioception), controlled resistance and critical shock absorption while the Reflex Contour dynamically expands and contracts in sync with the dramatic changes of the dancer's body, maintaining aesthetic lines at all times.
The strengthening and supportive features make this slipper an important tool to prepare for demi-pointe and pointe work, while the Reflex Contour is ideal for growing bodies and various climates and conditions that can affect foot size.
Incorporating MDM’s re-engineered patented Dance Base Support, the Profile 2.0 offers optimal performance coupled with enhanced levels of comfort and support providing sensory feedback, controlled resistance and critical shock absorption.
Supporting the foot and arch, it allows the intrinsic muscles to recover when at rest. What happens to many young dancers is the extra pressure causes them to claw their toes when in the flat or pointed positions. This may not be immediately evident in-store nor necessarily straight away in class, but over time and particularly as the shoe tightens, it does because their toes aren’t sitting comfortably flush against the floor. High caliber dancers swear by this slipper.Showing 28 results
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